It seems that under the new showrunner, Bridgerton is lost for ideas and is afraid of the spark it had cultivated in past seasons. While Coughlan is a strong lead and propels the story forward, Newton is anything but. Ideals of a more feminist approach and fierier chemistry were promised but left unfulfilled, but the season is saved by the ensemble cast of Hannah Dodd, Emma Naomi, Sam Phillips, and Martins Imhangbe. Thankfully, we still have Featherington shenanigans that keep the plot entertaining through Portia’s repeated desire for survival and security.

Pretty Little Liars: Summer School is a fantastic horror teen drama and manages to feel fresh in a world where teen dramas are a little oversaturated due to streaming. Despite the shorter episode count, Little Liars is a strong follow-up to Original Sin, elevating the genre and making for an enjoyable watch.

Interview with the Vampire is a visual masterpiece that carries multiple perspectives that leans hard into a theatrical nature, and carries masterful performances all around. Revelations are built up with expert precision, but with possible twists hinted throughout to grip and entice book readers while promising to give much more. The new cast brings a new life that perfectly complements the existing stories and roles, particularly those of Delainey Hayles and Ben Daniels.

What promised to be a complex story of a Jewish man forced to navigate the horrors of Auschwitz ends up being a tedious story with no emotion. The terrors are glossed over creating a hollow series with a main character that lacks any depth. Considering it is a fictionalised take of the most famous and deadly concentration camps in the Holocaust and one man's recollections, the main character gives little impact and no emotion and comes across as a detriment to his own story.

Dinner With Parents is a comedy series about the Langer family's weekly dinner party, which is filled with chaos and fiascos. The Langer family is at odds with each other, leading to chaos at Friday night dinner. The show's situational humour has been lacking in every episode, with small roles like Grandma Rose providing nothing new or refreshing. There was potential for a light-hearted short comedy show with enjoyable family antics, but it was wasted, with the characters being reduced to stereotypes and not providing much entertainment.

Fallout is a fantastic series that stays true to the beloved video game series while standing on its own two feet. Having characters like Lucy MacLean and The Ghoul lead the show offers viewers rare different perspectives of a harsh world while still seeing the hope of a future that was despite the weaker storyline of the Brotherhood of Steel, this is a must watch and a new take on the post-apocalyptic genre.

At its heart, this is a story about a family with exceptional luck and resourcefulness who will fight for survival in any way they can. The cast of characters gives varied accounts of what happened during this time and, showcased in their varied ways, gives a detailed, emotional journey that provides deep characterisation with one of the most horrific acts as the background.

With its captivating first five episodes that will leave viewers wanting more, Palm Royale had a lot of potential. Sadly, the writing in the later episodes deteriorates and the plots almost seem ridiculous. Some characters aren't used as much in the latter half of the season, and the abrupt conclusion will only make you frustrated that a lot of time was wasted on plots that didn’t go anywhere.

Based on the New York Times bestseller from James L. Swanson, Manhunt is a gripping thriller that follows the aftermath of Abraham Lincoln’s assassination and the hunt for John Wilkes Booth. It is a perfectly crafted story that draws you into the conspiracy and delivers strong emotional performances that is another win for Apple TV in their growing list of successes.

An intriguing show unlike other period dramas that is both sinister and seductive, showing the duplicitous nature of the characters and that there are no boundaries when it comes to political ascension. Marketing promised scenes of a salacious nature with George and the King but it is the political climb of the Villers and incredible nuanced performances with outrageous turns that make the series nothing like typical period dramas.